Mapping from Australia to Greece with the Heart Maps project, by Amy Tsilemanis
With friends old and new We make our new keys To the maps that we see And the maps that we breathe From Good People Dreaming,...
With friends old and new We make our new keys To the maps that we see And the maps that we breathe From Good People Dreaming,...
I’ve just spent four days at the Supergau festival in Austria; the second edition of a rural arts biennial, that makes a different ‘gau’ (region...
Two days travel: train trips, security checks, two flights, a night in Istanbul, bus journey and two taxi rides. The roads are empty as we...
Lucy Lippard said, “Walking is the prime means by which to experience landscape and place” (Lippard 2007: 42). In summer 2021 I began Drift:Memory|Myth, a...
Rebecca Solnit suggests repetition can be cognitive, ‘as though thoughts and ideas were indeed fixed objects in a landscape one need only know how to...
When you live in a big city, especially if you’re a student in a big city, you tend to see what the evenings or the...
This September InspiralLondon took a brief dip into the watery commons of the Thames Delta, walking some of the lesser known tributaries and marshlands of...
Laura Fisher’sGoing Out/Going In is an audio performance for one person at a time, designed to be listened to on headphones during a walk through...
What does walking (as an artform) mean when you’re a migrant? Crossing place, and places, spaces and land, over and over again, each time in...
‘One gender disturbing message might be – in terms of both identity and place – ‘keep moving!’’ (Doreen Massey) [1] During my studies, I readily...